Wednesday, December 10, 2008

Jeff Fahey

Fahey started performing when he won a full scholarship to dance with the Joffrey Ballet at the age of 25. This eventually led to his performing in theaters across the country and on Broadway. He landed his first major role in television playing Gary Corelli on the ABC soap opera One Life to Live.

In 1985, he received his first major role in film, playing the villain Tyree in Silverado. He then in 1986 played a gun dealer named Eddie Kaye in Miami Vice; his character is best known for destroying the Ferrari sports car the two lead characters drove. Also in 1986, he starred in Psycho III.

Since then, he has appeared in a handful of films, most notably playing the title role of Jobe alongside Pierce Brosnan in the cult classic The Lawnmower Man. In 1995 he took the spotlight starring as Winston McBride in ABC's The Marshal.

He also appeared in Grindhouse: Planet Terror. This film is preluded by a fake trailer to a film called Machete starring Danny Trejo, in which Jeff Fahey portrays Machete's employer. Although it was intended to only be a fake trailer, it has been announced that Robert Rodriguez will actually make a feature length version of the film, to be released in cinemas in the future. Fahey plays a prominent role in the trailer, so it's very likely he will reprise his role in the upcoming film. he also acted as a tough,funky, and sexy gangsta in step up from the streets.

He recently played the character Frank Lapidus, the helicopter pilot of the research team sent to the island, in the fourth season of Lost.

Monday, October 27, 2008

The Pogues

The Pogues are a band of mixed Irish and English background, playing traditional Irish music with influences from punk rock, formed in 1982 and fronted by Shane MacGowan. They reached international prominence in the 1980s and early 1990s, until MacGowan left the band in 1991 due to drinking problems. They continued with first Joe Strummer and then Spider Stacy on vocals before breaking up in 1996. The band began performing together again in 2001, though they have yet to record new music.

Their politically-tinged music was influenced by The Clash, yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin, accordion, and others. In the later incarnations of the band, after the departure of Shane MacGowan, rock instruments such as the electric guitar would become more prominent. The first of The Pogues' albums, Red Roses for Me, borrows much from the punk tradition of MacGowan's previous band The Nipple Erectors (later dubbed "The Nips").

The Pogues were founded in King's Cross, a district of North London, in 1982 as Pogue Mahone—pogue mahone being the Anglicisation of the Irish póg mo thóin, meaning "kiss my arse".

The band specialised in Irish folk music, often playing with the energy of the punk rock scene in which several of the members had their roots.


Band history
The roots of The Pogues were formed when MacGowan (vocals), Peter "Spider" Stacy (tin whistle), and Jem Finer (banjo) were together in an occasional band called The Millwall Chainsaws in the late 1970s after MacGowan and Stacy met in the toilets at a Ramones gig at The Roundhouse in 1977. MacGowan was already with The Nips, though when they broke up in 1980 he concentrated a bit more on the still unstructured Millwall Chainsaws, who changed their name to The New Republicans. During this period MacGowan and Finer auditioned unsuccessfully for a license to busk at Covent Garden. In 1982 James Fearnley (accordion) joined MacGowen, Stacy, and Finer, initially calling the band The Men They Couldn't Hang, before settling on Stacy's suggestion of Pogue Mahone. The new group played their first gig at The Pindar Of Wakefield on 4 October 1982.

They later added Cait O'Riordan (bass) and Andrew Ranken (drums). The band played London pubs and clubs, and released a single, "Dark Streets of London," on their own, self-named label, gaining a small reputation - especially for their live performances. They came to the attention of the media and Stiff Records when they opened for The Clash on their 1984 tour. Shortening their name to "The Pogues" (partly due to BBC censorship following complaints from Gaelic speakers in Scotland) they released their first album Red Roses for Me on Stiff that October.

The band gained more attention when the UK Channel 4's influential music show The Tube made a video of their version of "Waxie's Dargle" for the show. The performance - featuring Spider Stacy repeatedly smashing himself over the head with a beer tray (in the manner of Bob Blackman's infamous "Mule Train/Mule Tray") - became a favourite with the viewers, but Stiff refused to release it as a single, feeling it was too late for it to help Red Roses for Me (in fact their record label, Stiff, was by then in deep financial trouble). Nevertheless, it remained a favourite request for the show for many years.

Phil Chevron (guitar) joined the group soon after, then with the aid of punk and New Wave forefather Elvis Costello they recorded the follow up, Rum, Sodomy and the Lash, in 1985. The album title is a famous comment falsely attributed to Winston Churchill who was supposedly describing the "true" traditions of the British Royal Navy. The album cover featured The Raft of the Medusa, with the faces of the characters in Théodore Géricault's painting replaced with those of the band members. The album shows the band moving away from covers to original material. Shane MacGowan came into his own as a songwriter with this disc, offering up poetic story-telling, such as "The Sick Bed of Cúchulainn" and "The Old Main Drag", as well as definitive interpretations of Ewan MacColl's "Dirty Old Town" and Eric Bogle's "And the Band Played Waltzing Matilda" (this had previously been covered by Shane's fellow punk contemporaries The Skids in 1981).

The band failed to take advantage of the momentum created by the strong artistic and commercial success of their second album. They first refused to record another album (offering up the four-track EP Poguetry in Motion instead); O'Riordan married Costello and left the band, to be replaced by bassist Darryl Hunt; and they added a multi-instrumentalist in Terry Woods, formerly of Steeleye Span. Looming over the band at this period (as throughout their entire career) was the increasingly erratic behaviour of their vocalist and principal songwriter, Shane MacGowan. Their record label, Stiff Records, went bankrupt soon after the 1987 release of the single "The Irish Rover" (with the Dubliners).


Success and breakup
The band remained stable enough to record If I Should Fall from Grace with God in 1988 (with its Christmas hit duet with Kirsty MacColl "Fairytale of New York", which was voted "the best Christmas song ever" in VH1 UK polls in 2004) and 1989's Peace and Love. The band was at the peak of its commercial success, with both albums making the top 5 in the UK (numbers 3 and 5 respectively), but MacGowan was increasingly unreliable. He failed to turn up for the opening dates of their 1988 tour of America, and prevented the band from promoting their next album, Hell's Ditch, so in 1991 the band sacked him. Vocal duties were for a time handled by Joe Strummer, before Stacy finally took over permanently. After Strummer's departure, the remaining seven Pogues recorded Waiting for Herb, which contained the band's third and final top twenty single, "Tuesday Morning", which became their best-selling single internationally. Terry Woods and James Fearnley then left the band and were replaced by David Coulter and James McNally respectively. Within months of their departures, ill health forced Phil Chevron to leave the band; he was replaced by his former guitar technician, Jamie Clarke. This line up recorded the band's seventh (and final) studio album, Pogue Mahone. The album was a commercial failure, and, following Jem Finer's decision to leave the band in 1996, the remaining members decided it was time to call it quits.


Post-breakup
After the Pogues' break-up, the three remaining long-term members (Spider Stacy, Andrew Ranken and Darryl Hunt) started a new band called The Wisemen. The band played mainly new Stacy-penned tracks, though Darryl Hunt also contributed songs, and the band's live set included a few Pogues songs. First Ranken then Hunt left the band, the latter going on to become singer/songwriter in an indie band called Bish, whose self-titled debut album was released in 2001. Ranken has gone on to play with a number of other bands, including hKippers, The Municipal Waterboard and, most recently, The Mysterious Wheels. In addition to The Wisemen (later renamed The Vendettas), Spider Stacy continued to write and record music with various bands, including a short stint with "Spider Stacy's Pogue Mahone", with Stacy fronting Pogues tribute band, Boys from the County Hell. Shane MacGowan founded Shane MacGowan and The Popes in 1992. His autobiography A Drink With Shane MacGowan, co-written with his journalist girlfriend Victoria Mary Clarke, was released in 2001. Jem Finer went into experimental music, playing a big part in a project known as "Longplayer", a piece of music designed to play continuously for 1,000 years without repeating itself. In 2005, Finer released the album Bum Steer with DB Bob (as DM Bob and Country Jem). James Fearnley moved to the United States shortly before leaving the Pogues. Philip Chevron reformed his former band The Radiators. Terry Woods formed The Bucks with Ron Kavana, releasing the album Dancin' To The Ceili Band in 1994. Later, he formed The Woods Band, releasing the album Music From The Four Corners of Hell in 2002.


Reunion
In concert in 2006The band, including MacGowan, re-formed for a Christmas tour in 2001 and performed nine shows in the UK and Ireland in December 2004. In 2002 Q magazine named The Pogues as one of the "50 Bands To See Before You Die". In July 2005, the band — again including MacGowan — played at the annual Guilfest festival in Guildford before flying out to Japan where they played three dates. Japan is the last place they all played together before MacGowan was originally sacked in 1991, and they have a strong following there. They played a date in Spain in early September. The reunited Pogues played dates in the UK with support from the Dropkick Murphys in late 2005, and re-released their 1987 Christmas classic "Fairytale of New York" on 19 December, which went straight in at #3 in the UK Singles charts on Christmas Day 2005, showing the song's enduring popularity. On 22 December 2005 the BBC broadcast a live performance (recorded the previous week) on the Jonathan Ross Christmas show with Katie Melua filling in for the late Kirsty MacColl, the first time the band had played the song live on television. The following week they performed live on the popular music show CD:UK.

Shane MacGowan wrote a blog for The Guardian website in 2006, detailing his thoughts on the current tour.


The Pogues with Shane MacGowan, in concertThe band was awarded the lifetime achievement award at the annual Meteor Ireland Music Awards in February 2006. In March 2006, the band played their first U.S. dates with Shane in over 15 years. The band played a series of sold-out concerts in Washington D.C., Atlantic City, Boston, and New York. Later they played a series of highly acclaimed and sold out gigs during mid-October 2006 in San Francisco, Las Vegas, and Los Angeles, and toured Glasgow, Manchester, Birmingham, London, Dublin, and Nottingham in mid-December 2006. They began a second U.S. tour in March 2007, once again to coincide (and conclude) with a Roseland Ballroom New York City show on Saint Patrick's Day. 2007 has proved to be the most prolific year of touring since the reunion. A tour of the west coast of America and eleven dates in the UK in December complement the headlining festival appearances made in the summer across Europe (Sweden, Belgium and Spain). They continue to be in huge demand, often selling out very large venues, despite criticism of selling out, and claims that arenas and festivals do not suit the band's sound.

Guitarist Phil Chevron has stated there were no plans to record new music or release a new album. Chevron said that one way to keep enjoying what they were doing was to avoid making a new album, although he did say that there still is a possibility in the future for new music, but certainly not in the near future. Terry Woods has commented that MacGowan has been writing, and most of it sounds good. However on the pages of The Pogues message board, Chevron revealed that The Pogues are preparing a box set of unreleased tracks for release in June 2008.

The band has received mixed reviews of its recent performances. Reviewing a March 2008 concert, The Washington Post described MacGowan as "puffy and paunchy," but said the singer "still has a banshee wail to beat Howard Dean's, and the singer's abrasive growl is all a band this marvelous needs to give its amphetamine-spiked take on Irish folk a focal point." The reviewer continued: "The set started off shaky, MacGowan singing of `goin' where streams of whiskey are flowin,' and looking like he'd arrived there already. He grew more lucid and powerful as the evening gathered steam, through two hours and 26 songs, mostly from the Pogues' first three (and best) albums."


Current members
Shane MacGowan: 1982–1991, 2001–present; vocals, guitar, banjo, bodhrán
Spider Stacy: 1982–1996, 2001–present; vocals, tin whistle
Philip Chevron: 1985–1994, 2001–present; guitar
James Fearnley: 1982–1993, 2001–present; accordion, mandolin, piano, guitar
Terry Woods: 1986–1994, 2001–present; mandolin, cittern, concertina, guitar
Jem Finer: 1982–1996, 2001–present; banjo, mandola, saxophone, hurdy-gurdy, guitar
Andrew Ranken: 1982–1996, 2001–present; drums, percussion
Darryl Hunt: 1986–1996, 2001–present; bass guitar
Ella Finer (regular guest) 2005– (Vocals on Fairytale of New York)
James Walbourne (Temp replaced for Philip Chevron during his recovery from cancer) 2007

Former members
Cait O'Riordan: 1982–1986, 2004
Joe Strummer: 1991 (also replaced an ailing Phil Chevron for a U.S. tour in 1987)
Jamie Clarke: 1993–1996
Dave Coulter: 1993–1996
James McNally: 1993–1996

Albums
Red Roses for Me (1984): #89 UK
Rum Sodomy & the Lash (1985): #13 UK
Poguetry in Motion (EP, 1986)
If I Should Fall from Grace with God (1988): #3 UK, #88 US
Peace and Love (1989): #5 UK
Yeah Yeah Yeah Yeah Yeah (EP, 1990): #43 UK
Hell's Ditch (1990) #12 UK
Waiting for Herb (1993): #20 UK
Pogue Mahone (1996)


Compilation Albums
The Best of The Pogues (1991): #11 UK
The Rest of The Best (1992)
The Very Best Of The Pogues (2001): #18 UK
Dirty Old Town: The Platinum Collection (Budget CD) (2005)
Just Look Them Straight In The Eye and Say....POGUE MAHONE!! (Anthology/Box Set of rare and unreleased tracks) (2008)

Video
The Pogues: Live at The Town & Country Club St Patricks Day 1988 VHS 1988
POGUEVISION" Music Video Collection - VHS 1991

Thursday, September 4, 2008

My Current DVD Collection in Alphabetical Order:

300
12 Monkey's
2001: A Space Odyssey
28 Days Later
A History of Violence
A Night at the Opera
A Nightmare on Elm Street
Aliens
Angel Heart
Animal House
Annie Hall
Apocalypse Now
Austin Powers: International Man of Mystery
Barbarella
Batman Begins
Battle Royale
Blade Runner
Brazil
Brother's Keeper
Bullet
Casablanca
Casino Royale
Chinatown
Clerks
Coffy
Dawn of the Dead (1978)
Dazed and Confused
Death Race 2000
Delicatessen
Die Hard
Donnie Darko
Dr. Strangelove
Elephant Man
Evil Dead II
Fight Club
Fire and Ice
Get Carter (1971)
GoldenEye
GoldFinger
Gone Baby Gone
Halloween (1978)
Hell Boy
Her Majesty’s Secret Service
Invasion of the Body Snatchers (1956)
Jaws
King Kong (1933)
M*A*S*H
Man Bites Dog
McCabe & Mrs. Miller
Metropolis (1927)
Monty Python and the Holy Grail
Night of the Living Dead (1968)
No Country For Old Men
Office Space
Pink Flamingos
Planet Earth
Platoon
Raiders of the Lost Ark
Reefer Madness
Repo Man
Requiem For a Dream
Reservoir Dogs
Se7en
Seven Samurai
Solient Green
Speed
Splendor In the Grass
Starship Troopers
Sweeny Todd
Terminator
Terminator II: Judgment Day
The Blues Brothers
The Boys From Brazil
The City of Lost Children
The Day of the Jackal
The Departed
The Devil Wears Prada
The Empire Strikes Back
The Incredibles
The Living Daylights
The Long Good Friday
The Lord of the Rings: The Fellowship of the Ring
The Lord of the Rings: The Return of the King
The Lord of the Rings: The Two Towers
The Maltese Falcon
The Other Boleyn Girl
The Pink Panther Strikes Again
The Silence of the Lambs
The Spy Who Loved Me
The Thing
The Warriors
The Wicker Man
This Is Spinal Tap
Titanic
Touch of Evil
True Romance
V For Vendetta
Vampire Hunter D Bloodlust
Young Frankenstein
Vacation

Thursday, June 26, 2008

MCITP: Database Administrator Microsoft Certified IT Professional: Database Administrator

MCITP: Database Administrator

Microsoft Certified IT Professional: Database Administrator (MCITP: Database Administrator) is the premier certification for database server administrators. This certification demonstrates that you can keep up with your enterprise business solutions 24 hours a day, 7 days a week.

Candidate profile
Database administrators install or configure Microsoft SQL Server and manage or maintain databases or multidimensional databases, user accounts, database availability, recovery, and reporting. They also design or implement security or server automation and monitor and troubleshoot SQL Server activity. Database administrators are typically employed by mid-sized to large organizations.

How to earn your MCITP: Database Administrator
To earn this certification, you must pass three exams: one Microsoft Certified Technology Specialist (MCTS) prerequisite exam and two Professional Series exams.

There is an upgrade path of only two exams for a Microsoft Certified Database Administrator (MCDBA).

This certification will retire when Microsoft discontinues mainstream support for the related technology.

• Learn about the new generation of Microsoft Certification lifecycle policies

Prerequisite MCTS exam
Exam 70-431 - Review the preparation guide for Exam 70–431: TS: Microsoft SQL Server 2005 – Implementation and Maintenance

Professional Series exams
Exam 70-443 - Review the preparation guide for Exam 70-443: PRO: Designing a Database Server Infrastructure by Using Microsoft SQL Server 2005

Exam 70-444 - Review the preparation guide for Exam 70-444: PRO: Optimizing and Maintaining a Database Administration Solution by Using Microsoft SQL Server 2005

Upgrade path for an MCDBA
If you are an MCDBA, because of your existing expertise you can upgrade to this certification with a shorter path, as shown in the following table.

Prerequisite MCTS exam for an MCDBA
Exam 70-431
Review the preparation guide for Exam 70-431: TS: Microsoft SQL Server 2005 – Implementation and Maintenance

Upgrade exam for an MCDBA
Exam 70-447
Review the preparation guide for Exam 70-447: UPGRADE: MCDBA Skills to MCITP Database Administrator by Using Microsoft SQL Server 2005

Related Links
• SQL Server 2008 certifications
• MCITP: Database Developer
• MCITP: Business Intelligence Developer
• MCTS: SQL Server 2005 Business Intelligence
• MCTS: SQL Server 2005
• MCDBA on Microsoft SQL Server 2000

Wednesday, June 11, 2008

The Ramones

The Ramones were an American rock band often regarded as the first punk rock group.

Formed in Forest Hills, Queens, New York, in 1974, all members of the band used stage names with their surnames as "Ramone", though none of them are actually related. They performed 2,263 concerts, touring virtually non-stop for 22 years. In 1996, after a tour with the Lollapalooza music festival, the band played their final show and then disbanded. The band's three founding members—Joey Ramone, Johnny Ramone and Dee Dee Ramone—died within eight years of the break-up.

The Ramones failed to achieve much commercial success during their years of recording and performing. Their only album to reach certified gold status in the U.S. was their compilation album Ramones Mania. Appreciation of the band has grown since the 1980s, and they now regularly appear on "all-time greatest" lists, such as Rolling Stone’s list of 100 Greatest Artists of All Time, Rolling Stone’s list of 25 Greatest Live Albums of All Time, VH1's 100 Greatest Artists of Hard Rock and Mojo's 100 Greatest Albums. In 2002, the Ramones were voted the second greatest rock and roll band ever in Spin Magazine, trailing only The Beatles. On March 18, 2002, they were inducted into the Rock and Roll Hall of Fame.

The pre-history of the band is centered in and around the middle-class neighborhood of Forest Hills in the New York City borough of Queens.

Most of the members had been in various bands since the late 1960s. Johnny and Tommy had both been in a high school garage band circa 1966-67 known as the Tangerine Puppets, and Joey was in the short-lived early 1970s glam rock band Sniper. The initial version of the Ramones included Jeffrey Hyman on drums, John Cummings on guitar, and Douglas Colvin on bass and lead vocals. Colvin was the first to use the name Ramone, calling himself Dee Dee Ramone. He was inspired by the fact that Paul McCartney used the pseudonym Paul Ramon. He convinced the other members to take on the name, and came up with the idea of calling the band the Ramones. Hyman and Cummings would become Joey Ramone and Johnny Ramone, respectively.


1974-1979
The band held their rehearsals at a New York City studio managed by a friend of the band, Thomas Erdelyi, who would become the band's manager, and Monte A. Melnick who would become the band's tour manager. Soon after the band was formed, Dee Dee realized that he could not sing and play bass at the same time, so Joey became the band's lead vocalist. (Dee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of "1-2-3-4!".) Joey would also realize that he could not sing and play drums at the same time, and left the position of drummer. While auditioning new drummers, manager Thomas Erdelyi would often take to the drums and demonstrate to auditioners how to play the songs. It became apparent that he was able to play the group's songs better than anyone else, and he joined the band as drummer Tommy Ramone.

The band played their first concert on March 30, 1974, at Performance Studios in New York. The songs they played were very fast and very short; most clocked in at under two minutes. In the early 1970s, a new music scene emerged in New York when many bands started to play in clubs on the Lower East Side of Manhattan, such as Max's Kansas City and most famously CBGB's.

After garnering considerable attention for their performances at CBGB's, the group was signed to a recording contract in Autumn 1975 by Seymour Stein of Sire Records, whose wife Linda Stein had seen them play at CBGB's and would later co-manage the band with Danny Fields. They soon recorded their debut album, Ramones on an extremely low budget; about $6,400. The band was plagued by hostile audience reactions outside of New York City. It wasn’t until they made a small tour of England that they began to see the fruits of their labor: a performance at The Roundhouse in London on July 4, 1976 (second-billed to the Flamin' Groovies), which Linda Stein had organized, was a huge success. Their appearance galvanized the burgeoning UK punk rock scene, inspiring future punk stars, including members of The Clash, The Damned, and the Sex Pistols. The Flamin' Groovies/Ramones double-bill was successfully reprised at The Roxy in Los Angeles the following month, which also inspired local Los Angeles musicians.

On December 31, 1977, the Ramones recorded It's Alive, a live concert double album, at the Rainbow Theatre, London, which was released in April 1979. The title is a reference to the 1974 horror movie of the same name. Their next two albums, Leave Home and Rocket to Russia were released in 1977. Dave Marsh wrote in Rolling Stone that Rocket to Russia was "the best American rock & roll of the year". Both records were co-produced by Tony Bongiovi, the second cousin of Jon Bon Jovi. Tommy, tired of touring, left the band and was replaced by Mark Bell, who became Marky Ramone.

In 1978 the band released their fourth album, and first with Marky, Road to Ruin. The album included some new sounds like acoustic guitar, several ballads, and songs over three minutes, but still failed to chart highly.


1980–1989
After the band's movie debut in Roger Corman's Rock 'n' Roll High School (1979), the legendary producer Phil Spector became interested in the Ramones and produced their 1980 album End of the Century. During the recording sessions, Spector pulled a gun on Dee Dee, and forced him to repeatedly play a riff. The band would later consider this one of their "not-so-great" albums, crediting tensions between the producer and the artists. Johnny recalls that he was disappointed with the outcome of End of the Century. When asked in interviews, Johnny would indicate that he favored the band's more aggressive punk material. (He also conveyed this feeling with the title and track selection of the post-breakup collection CD that he compiled: Loud, Fast Ramones: Their Toughest Hits.) In contrast, End of the Century material such as the syrupy, string-section laden Ronettes cover "Baby, I Love You" is entirely lacking the guitarist's trademark "buzzsaw" sound.


Joey Ramone and Dee Dee Ramone in concert, 1983In 1981 the Ramones released Pleasant Dreams, which continued the trend established by End of The Century of diluting the rawer punk sound showcased on the band's initial four albums. Instead, slick production was again featured, this time provided by Graham Gouldman of UK pop act 10 cc. Johnny would contend in retrospect that this direction was a record company decision and represented a continued futile attempt to get airplay on American radio. On August 1 of that year, however, while promoting the album, they did become the first band to be interviewed on the newly formed cable video station MTV, which temporarily provided a more receptive outlet for the band's music than FM. After the release of the 1983 Subterranean Jungle, Marky Ramone was fired from the band because of his alcoholism and was eventually replaced by Richard Reinhardt (under the name Richie Ramone). The first album the Ramones recorded with Richie was Too Tough to Die in 1984, produced by former drummer Tommy Ramone. The album was largely considered a return to form after the non-flattering pop-production techniques characterizing the previous three full-length releases. Some rock critics contend that it represents their final high quality album.

In 1986, the Ramones were invited to record the soundtrack to the film Sid and Nancy. During their work, some management problems developed, and the deal was cancelled.citation needed However, a handful of songs created for this movie were included in their 1986 album Animal Boy. The album was produced by Jean Beauvoir of the Plasmatics, and included a mix of hard and poppier punk songs.

In 1987, the band recorded their last album with Richie, Halfway to Sanity. Halfway to Sanity was the first collaboration with producer and former Shrapnel (another late 1970s NYC punk band) guitarist Daniel Rey. Richie left in August 1987, upset that after being in the band for five years, the other members would still not give him a share of the money they made selling t-shirts.

Richie was replaced by Clem Burke (Elvis Ramone) from Blondie. According to Johnny, the shows with Burke were a disaster. He was fired after two shows because his drumming could not keep up with the rest of the band. Marky, now clean and sober, returned.

Dee Dee Ramone left after 1989's Brain Drain and was replaced by Christopher Joseph Ward (C.J. Ramone), who performed and recorded with the band until their break-up. However, Dee Dee did continue contributing to the music of the Ramones by lending his lyrics for use in later songs. Dee Dee left to pursue a brief solo career as a rapper, adopting the name Dee Dee King.


1990–1996
After 16 years at Sire Records, the band moved to new label Radioactive Records with their 1992 album Mondo Bizarro, which also reunited them with producer Ed Stasium. Mondo Bizarro was followed the next year with Acid Eaters, an album made entirely of cover songs.

In 1993 the Ramones appeared on an episode of The Simpsons ("Rosebud"). They were booked to sing "Happy Birthday" at Mr. Burns's birthday party, where they showed their distaste for the gig, shouting, "I'd just like to say this gig sucks!" (Joey), "Hey, up yours, Springfield!" (Johnny), and "Go to Hell, you old bastard!" (C.J.); though Marky quipped, "Hey, I think they liked us!" Afterwards, Mr. Burns mistakenly ordered Smithers to "have The Rolling Stones killed."

In 1995 they released what would be their last studio album, ¡Adios Amigos!. After a spot in the 1996 Lollapalooza festival, the Ramones went on a short club tour and then disbanded, reportedly due to ongoing personality clashes and frustration at not achieving commercial success commensurate with their influence.

Their final show was on August 6, 1996, at the Palace in Hollywood. The show was recorded, and later released on video and CD as We're Outta Here!. The show featured several special guests such as Lemmy from Motörhead, Eddie Vedder from Pearl Jam, Tim Armstrong and Lars Frederiksen of Rancid, and Chris Cornell (then in Soundgarden).


Breakup and deaths
Joey was diagnosed with lymphoma in 1995. In his later years he became an avid follower of yoga and health food. During the late 1990s, he started day trading NYSE stocks. Joey actually wrote a song about CNBC financial news reporter Maria "Money Honey" Bartiromo, entitled "Maria Bartiromo", which is included on his 2002 solo album Don't Worry About Me.

On July 20, 1999, Dee Dee, Johnny, Joey, Marky, and Tommy appeared together at the Virgin Megastore in New York City for an autograph signing. This was the last occasion on which the ex-members of the group appeared together before Joey's death. Joey Ramone died of lymphoma on April 15, 2001, in New York. Joey's last partially finished works were compiled as a posthumous solo album, Don't Worry About Me.

In 2002, Joey, Johnny, Dee Dee, Tommy, and Marky Ramone were inducted into the Rock and Roll Hall of Fame. At the ceremony, the surviving inductees spoke on behalf of the band. Tommy spoke first, saying how honored the band felt, but how much it would have meant for Joey. Johnny thanked the band's fans and blessed George W. Bush and his presidency, Dee Dee congratulated and thanked himself, while Marky thanked Tommy for influencing his drumstyle. This was one of Dee Dee's last public appearances; two months later he was found dead at his Hollywood home on June 5, 2002, following a heroin overdose. Also at the ceremony, Green Day played "Teenage Lobotomy" and "Blitzkrieg Bop" as a tribute to the Ramones, showing the influence that the Ramones had on later post punk rock bands.

In the summer of 2004, the Ramones documentary End of the Century: The Story of the Ramones was released in theaters. Johnny Ramone, who had been privately battling prostate cancer, died on September 15, 2004, in Los Angeles, California, almost exactly as the film was released.

On the same day as Johnny's death, the world's first and only Ramones Museum opened its doors for the public. Located in Berlin, Germany, the Ramones Museum Berlin features more than 300 original memorabilia items from the Ramones, including a pair of stage-worn jeans from Johnny Ramone, a stage-worn glove from Joey Ramone, Marky Ramone's sneakers and CJ Ramone's stage-worn bass strap. The Ramones were inducted into the Long Island Music Hall of Fame in 2007.

In October 2007, a DVD was released containing live footage. It's Alive 1974-1996 includes 118 songs from 33 performances over the span of the group's career.


Conflicts between members
The Ramones always had a certain amount of tension, mainly between Joey and Johnny. The pair were highly politically antagonistic, Joey being a liberal and Johnny a conservative. There was also tension caused by their very different personalities; Johnny was a military brat who lived by a code of self-discipline, while Joey struggled with obsessive-compulsive disorder. It was Johnny who "stole" Joey's girlfriend Linda, whom he later married. Despite still playing in the same band, Joey and Johnny stopped talking to each other because of this. It is believed the song "The KKK Took My Baby Away", written by Joey, alludes to this enmity. Johnny did not call Joey before his death in 2001, but said in the documentary End of the Century that he was depressed for "the whole week" after the singer's death. Aside from Joey and Johnny's animosities, Dee Dee's constant addictions, relapses, and bipolar disorder had put significant strain on the band's interactions. Furthermore, the methods of payment and exact positions in overall band image for later members were also matters of dispute.


Style

Musical style
The Ramones' musical style was influenced by pop music that the band members grew up listening to in the 1950s and 1960s, such as The Beach Boys, The Beatles, The Kinks, The Ronettes, The Rolling Stones as well as what are now known as proto-punk bands like The Stooges and the New York Dolls. They were considered leaders in the punk rock scene, although others considered them power pop or pop punk.

On stage, the band adopted a focused approach directly intended to increase the audience's concert experience. Johnny's instructions to C.J. when preparing for his first live performances with the group were to play facing the audience, to stand with the bass slung low between spread legs, and to walk forward to the front of stage at the same time as he did. Johnny Ramone was not a fan of guitarists who performed facing their drummer, amplifier or other band members.

Due to a similar musical style, many bands were claimed to be "an answer to the Ramones" by critics in the late 1970s. There were the "English answer" (The Lurkers), the "Irish answer" (The Undertones), the "Canadian answer" (Teenage Head), and the "Mexican answer" (The Zeros).


Visual imagery
The Ramones' art and visual imagery complemented the themes of their music and performance. The band members adopted a uniform look of long hair, leather jackets, t-shirts, torn jeans, and sneakers. This fashion emphasized minimalism, which was a powerful influence on the New York punk scene of the 1970s and reflected the band's short, simple songs. Tommy Ramone recalled that, both musically and visually, "we were influenced by comic books, movies, the Andy Warhol scene, and avant-garde films. I was a big Mad Magazine fan myself."


The band's logo was based on the Seal of the President of the United States. The band's logo was created by New York City artist Arturo Vega, a longtime friend who had allowed Joey and Dee Dee to move into his loft. Vega produced the band's t-shirts, their main source of income, basing most of the images on a black-and-white self-portrait photograph he had taken of his American bald eagle belt buckle which had appeared on the back sleeve of the Ramones' first album. He was inspired to create the band's logo after a trip to Washington, D.C.:

"I saw them as the ultimate all-American band. To me, they reflected the American character in general–an almost childish innocent aggression. Then the first time I went to Washington, D.C., I was impressed by the official atmosphere of the buildings and agencies and all the flags everywhere. I thought, 'The Great Seal of the President of the United States' would be perfect for the Ramones, with the eagle holding arrows–to symbolize strength and the aggression that would be used against whomever dares to attack us–and an olive branch, offered to those who want to be friendly. But we decided to change it a little bit. Instead of the olive branch, we had an apple tree branch, since the Ramones were American as apple pie. And since Johnny was such a baseball fanatic, we had the eagle hold a baseball bat instead of the arrows."

The scroll in the eagle's beak originally read "Look out below", but was later changed to "Hey, ho! Let's go!" after the opening lyrics of the band's first single "Blitzkrieg Bop", while the arrowheads on the shield came from a design on a polyester shirt Vega had bought. The name "Ramones" was spelled out in block capitals above the logo using plastic stick-on letters. Where the presidential seal read "Seal of the President of the United States" clockwise in the border around the eagle, Vega instead placed the stage names of the four band members: Johnny, Joey, Dee Dee, and Tommy. Over the years the names in the border would change as the band's lineup fluctuated. Vega went on to serve as the band's lighting director and sold their merchandise. In 2003 he had the original logo tattooed across his back with his own nickname, "Arty", in place of Tommy.


Influence
The Ramones' first British concert was held on July 4, 1976. Prior to the performance, the band hung out with fans who turned out to be members of the Sex Pistols and The Clash. During the meeting Paul Simonon claimed The Clash had not played a show yet because they felt they were not good enough, to which Johnny Ramone responded, "We stink. You don't have to be good, just get out there and play". Later that day The Clash would play their first show. Likewise another band who met with the Ramones that day, The Damned, played their first show two days later. Similarly, early Ramones concerts in California inspired early California punk groups like Black Flag, the Dead Kennedys, Bad Religion, and Social Distortion.

Bands such as Screeching Weasel, The Vindictives, The Queers, The Huntingtons, The Mr. T Experience and the Beatnik Termites have all recorded covers of entire Ramones albums; including Ramones, Leave Home, Rocket to Russia, File Under Ramones, Road to Ruin, and Pleasant Dreams, respectively.

The first Ramones tribute album by multiple bands was released in 1991 under the title Gabba Gabba Hey: A Tribute to the Ramones, featuring tracks recorded by such notable bands as L7, Mojo Nixon, and Bad Religion. Many more tribute albums followed, We're a Happy Family being the most well-known, with artists such as Green Day, Kiss, Metallica, The Offspring, Red Hot Chili Peppers, U2, and Rob Zombie (who also did the album cover artwork).

Metal musician Lemmy first met the Ramones in 1976. His band Motörhead composed and performed the song "R.A.M.O.N.E.S" as a tribute, and Lemmy would perform at the final Ramones concert in 1996. The band Bad Brains took its name from a Ramones song. Green Day members have gone as far as naming their children in honor of the band. Billie Joe Armstrong named his son Joey as tribute to Joey Ramone, and Tré Cool named his daughter Ramona for similar reasons.


Members
The following is a complete chronology of the various line-ups of the Ramones, from the group's inception in 1974 until their break-up in 1996.

Ramones line-ups (1974) Dee Dee Ramone (Douglas Colvin) - guitar, lead vocals
Johnny Ramone (John Cummings) - guitar
Joey Ramone (Jeffry Hyman) - drums

(1974) Joey Ramone - drums, lead vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass

(1974-1978) Joey Ramone - lead vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass, backing vocals
Tommy Ramone (Tamás Erdélyi) - drums

(1978-1983) Joey Ramone - lead vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass, vocals
Marky Ramone (Marc Bell) - drums

(1983-1987) Joey Ramone - lead vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass, vocals
Richie Ramone (Richard Reinhardt) - drums, vocals

(1987) Joey Ramone - lead vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass, backing vocals
Elvis Ramone (Clement Bozewski) - drums

(1987-1989) Joey Ramone - lead vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass, vocals
Marky Ramone - drums

(1989-1996) Joey Ramone - lead vocals
Johnny Ramone - guitar
C. J. Ramone (Christopher Joseph Ward) - bass, vocals
Marky Ramone - drums

Thursday, May 29, 2008

Fear and Loathing of Charlie the Unicorn

I fear for my sanity. I was drawn to the Charlie the Unicorn video again. I have probably watched it a half dozen times now. This is worse than my infatuation with my Wiley Coyote Pez dispenser. Just thinking about popping open the head and pulling out my little pink reward…………….. I think I need help. A breakdown cannot be far away.

Tuesday, April 29, 2008

System Center

System Center Overview
System Center solutions help IT pros manage the physical and virtual information technology (IT) environments across data centers, client computers, and devices. Using these integrated and automated management solutions, IT organizations can be more productive service providers to their businesses.

The Goal: Dynamic IT Management
Dynamic IT is Microsoft’s long-term strategy for providing critical technologies that enable IT and development organizations to become more strategic to their businesses. A dynamic infrastructure is Microsoft’s vision for what an agile business looks like—a business in which IT works closely with business to meet the demands of a rapidly changing and adaptable environment. Dynamic IT is Microsoft’s technology strategy for products and solutions that help businesses enhance the dynamic capability of their people, processes, and IT infrastructures.

The Role of System Center in Dynamic IT
Microsoft System Center solutions play a central role in Microsoft’s vision for helping IT organizations benefit from self-managing, dynamic systems. System Center solutions capture and aggregate knowledge about the infrastructure, policies, processes, and best practices so that IT pros can optimize IT structures to reduce costs, improve application availability, and enhance service delivery.

These integrated and automated management solutions enable IT organizations to be a more productive service providers to their businesses. Aiming to enable self-managing, dynamic systems, System Center solutions close the gap between development, operations, and IT—connecting people, processes, and tools—by evaluating dependencies and optimizing business process performance from deep inside the operating system, applications, and composite services and workflows.